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Elegy – Art Tatum | Songs, Reviews, Credits | AllMusic
Timing Is of the Essence: Critic Scott Yanow wrote, “Tatum’s quick reflexes and boundless imagination kept his improvisations filled elegj fresh and sometimes futuristic ideas that put him way ahead of his contemporaries. Volume 9 CD liner notes. Prior to the s, Tatum’s “style was directly related to the form of the typical popular song, which was usually two bars of active melody followed by two relatively stationary bars, and it was those second two-bar phrases that Tatum used for his stunning runs.
The Life and Genius of Art Tatum. University Press of Mississippi. His protean style combined stride, jazz, swing, boogie-woogie, and classical elements. Charlie Parker, Trickster Lives!
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Get to Know Us. The apparently effortless gliding of his hands, even during virtuosic passages, stunned his contemporaries. Saxophonist Benny Green wrote that Tatum was the only jazz musician to tatmu to conceive a style based upon all styles, to master the mannerisms of all schools, and then synthesize those into something personal.
Not for the Left Hand Alone”.
You have exceeded the maximum number of MP3 items in your MP3 cart. Tatum’s only known child, Orlando, was born when Tatum was twenty-four. Share Facebook Twitter Pinterest.
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Granz, who owned a record label, decided to record Tatum’s solo playing in a way that was “unprecedented in the recording industry: All About Jazz Records Copyright: The Story of Fats Waller. Retrieved October 22, September Learn how and when to remove this template message.
Archived from the original on November 5, Eegy decorative techniques became complex harmonic sweeps of colour; traditional repetitive patterns became areas of unpredictable ttum ever-changing shifts of rhythm.
English Choose a language for shopping. Among the musicians who said that Tatum could make a bad piano sound good were Billy Taylor  and Gerald Wiggins. The sounds that Tatum produced with the piano were also distinctive.
If you don’t like his ornament, you should be listening to someone else. Keith Jarrett criticized Tatum for playing too many notes,  was too ratum and “unjazzlike”.
After the young Peterson was persuaded that it was performed by a single person, he was so intimidated that he did not touch the piano for weeks.
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Archived from the original on April 17, He’s a good arrt to play for any musician, you know. Techniques to Foster Drum Machine Expressivity.
Accounts vary on whether Tatum’s parents played any musical instruments, but it is likely that he was exposed at an early age tatuj church music, including through the Grace Presbyterian Church that his parents attended.